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Why these two characters are allowed to appear in both the 'X-Men' and 'Avengers' movies

Michael fassbender age of ultron mickey rourke oscar nomination The 19th film within the Marvel Cinematic Michael fassbender age of ultron, it combines nine franchises and more than 30 major characters. Audiences now have a decade's worth of people and plot points to keep track of, beginning with 2008's "Iron Man," and retaining that much information would be a superhuman ability in itself. But don't worry -- help is on the way. We've created a guide to all the important happenings leading up to the new film.

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The fate of the X-Men is unclear, especially after the latest installment in the series, Dark Phoenix, bombed at the box office. But the prequel timeline is finally butting up against the original timeline, presenting an opportunity for a reboot. Disney which owns Marvel Studios and Fox recently merged, which means that the X-Men will be able to join the Marvel Cinematic Universe and appear in big screen Avengers movies for the first time ever. Disney has not officially announced plans for the X-Men yet, but directors and producers have dropped hints about how the mutants might be integrated into the world guarded by Black Panther , Captain Marvel and the Guardians of the Galaxy. And the movie certainly feels like it wraps things up.

Michael Fassbender - From 8 to 40 Years Old

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X-Men. Apocalypse alone features eight returning characters, four new X-Men recruits, and four new villains. And that's just the main cast. Obviously, there are a lot of colorful personalities in there, but perhaps the most intriguing of all is Magneto. The new film is shedding some light on the past of the enigmatic villain, filling in more of the blanks to show how he went from Michael Fassbender to Ian McKellen.

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X-Men Days of Future Past Comic Con - Unguarded (FULL INTERVIEW)

Brian Tyler - "Avengers Age of Ultron" Live in Concert

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А между тем эпизод отнюдь не однороден, эмоциональные изменения внутри него так существенны, что приводят к необходимости выстрела, о котором Войницкий и не помышлял вначале. Природу этих изменений режиссер и актеры как раз и должны обнаружить.